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Vivekananda Jayanthi Special

Swami Vivekananda Jayanti 2019 Quotes: One of India’s most revered spiritual leaders, Swami Vivekananda was born in Kolkata on January 12, 1863, as Narendra Nath Datta. It was in 1887 that he along with other disciples of Ramakrishna Paramhansa took formal vows of sannyasa and renounced the worldly pleasures. Advertising With a special interest in Western philosophy and history, he was often assailed by doubts about the existence of God. Through his speeches and lectures, Vivekananda tried to awaken the religious consciousness among people and also tried to uplift the downtrodden using the principles of practical Vedanta. To take his message to a wider audience, Vivekananda also attended the World’s Parliament of Religions in Chicago in 1893. His iconic speech there that touched topics like universal acceptance, tolerance and religion, got him a standing ovation at the parliament. On his 156th birth anniversary, let’s take a look at some his inspirational and famous quotes that might change the way you look at life: * You have to grow from the inside out. None can teach you, none can make you spiritual. There is no other teacher but your own soul. * Never think there is anything impossible for the soul. It is the greatest heresy to think so. If there is sin, this is the only sin, to say that you are weak, or others are weak. * The fire that warms us can also consume us; it is not the fault of the fire. * Ask nothing; want nothing in return. Give what you have to give; it will come back to you, but do not think of that now. * Condemn none: if you can stretch out a helping hand, do so. If you cannot, fold your hands, bless your brothers, and let them go their own way. * All differences in this world are of degree, and not of kind, because oneness is the secret of everything. * Where can we go to find God if we cannot see Him in our own hearts and in every living being. * Do one thing at a Time, and while doing it put your whole Soul into it to the exclusion of all else. * The moment I have realised God sitting in the temple of every human body, the moment I stand in reverence before every human being and see God in him – that moment I am free from bondage, everything that binds vanishes, and I am free.
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Baratha Natya Special

Bharatanatyam (Tamil : "????????????") also historically called Sadir, is a major genre of Indian classical dance that originated in Tamil Nadu.[1][2][3] Traditionally, Bharatanatyam has been a solo dance that was performed exclusively by women,[4][5] and it expressed South Indian religious themes and spiritual ideas, particularly of Shaivism, Vaishnavism and Shaktism.[1][6][7] Bharatanatyam's theoretical foundations trace to the ancient Sanskrit text by Bharata Muni, Natya Shastra,[6] its existence by 2nd century CE is noted in the ancient Tamil epic Silappatikaram, while temple sculptures of 6th to 9th century CE suggest it was a well refined performance art by mid 1st millennium CE.[5][8] Bharatanatyam may be the oldest classical dance tradition of India.[9] Bharatanatyam style is noted for its fixed upper torso, legs bent or knees flexed out combined with spectacular footwork, a sophisticated vocabulary of sign language based on gestures of hands, eyes and face muscles.[8] The dance is accompanied by music and a singer, and typically her guru is present as the director and conductor of the performance and art.[1] The dance has traditionally been a form of an interpretive narration of mythical legends and spiritual ideas from the Hindu texts.[4] The performance repertoire of Bharatanatyam, like other classical dances, includes nrita (pure dance), nritya (solo expressive dance) and natya (group dramatic dance).[4][10] Bharatanatyam remained exclusive to Hindu temples through the 19th century.[8] It was banned by the colonial British government in 1910,[11] but the Indian community protested against the ban and expanded it outside the temples in the 20th century.[8][11][12] Modern stage productions of Bharatanatyam have incorporated technical performances, pure dance based on non-religious ideas and fusion themes.[5][8]
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Baratha Natya Special

Bharatanatyam (Tamil : "????????????") also historically called Sadir, is a major genre of Indian classical dance that originated in Tamil Nadu.[1][2][3] Traditionally, Bharatanatyam has been a solo dance that was performed exclusively by women,[4][5] and it expressed South Indian religious themes and spiritual ideas, particularly of Shaivism, Vaishnavism and Shaktism.[1][6][7] Bharatanatyam's theoretical foundations trace to the ancient Sanskrit text by Bharata Muni, Natya Shastra,[6] its existence by 2nd century CE is noted in the ancient Tamil epic Silappatikaram, while temple sculptures of 6th to 9th century CE suggest it was a well refined performance art by mid 1st millennium CE.[5][8] Bharatanatyam may be the oldest classical dance tradition of India.[9] Bharatanatyam style is noted for its fixed upper torso, legs bent or knees flexed out combined with spectacular footwork, a sophisticated vocabulary of sign language based on gestures of hands, eyes and face muscles.[8] The dance is accompanied by music and a singer, and typically her guru is present as the director and conductor of the performance and art.[1] The dance has traditionally been a form of an interpretive narration of mythical legends and spiritual ideas from the Hindu texts.[4] The performance repertoire of Bharatanatyam, like other classical dances, includes nrita (pure dance), nritya (solo expressive dance) and natya (group dramatic dance).[4][10] Bharatanatyam remained exclusive to Hindu temples through the 19th century.[8] It was banned by the colonial British government in 1910,[11] but the Indian community protested against the ban and expanded it outside the temples in the 20th century.[8][11][12] Modern stage productions of Bharatanatyam have incorporated technical performances, pure dance based on non-religious ideas and fusion themes.[5][8]